Designers and materials go together like fly on honey. In this issue we focus on one of the most beloved: wood. We talk to experts and get detailed information on various wood typologies, such as the disparition of ash wood in England that’s underway due to diseases, and technologies like Kerfing. As sustainability remains a constant discussion, we offer insight on how wood has transformed from a renewable material to an immortal one. Don’t miss our special highlight on working with bamboo.
This issue also brings you the latest on spider silk thread by Japanese company Spiber, a material already in the fashion realm and soon to break into the design world. Other goodies to look into: furniture brand Normann Copenhagen’s Milano surprise, our chat with design advisor Brent Dzeckiorius, a special focus on LZF’s amazing communications campaign and more. Enjoy!
Dine in Detroit area restaurants such as Blu Fin Sushi or Public House and you’ll find yourself “eating off the floor.” Former floor beams are reborn as table slats thanks to Workshop Detroit, one of several international design studios into the cycle of sustainability.
Already known as an eco-friendly material,...
Its Setsuna concept car, fully functional but not legally road friendly, had Japanese cedar for the exterior panels, selected for its flexibility and distinctive grain, and Japanese birch for the frame. The seats showed off Japanese zelkova and smooth-textured castor aralia.
Not on the road alone, other design professionals working with wood offer insight on the qualities behind various wood typologies and technologies.
Courtesy of Toyota
The Daily Must & The Rare
One typology may have many faces, depending on how it was cut.
“The workshop is my favorite place to be,” designer and woodworker Sean Sutcliffe, co-founder of Benchmark furniture, told ArchiExpo in a phone interview. “It’s not about fashion, it’s not about trends, it’s about making furniture that will last for generations.”
The craftsmen at Benchmark stock wood in two ways. First, they bring in a variety of typologies they use most often, depending on location. They have a high preference for Scotland-sourced elm sawn at U.K.-based Tyler Hardwoods. “Not many others work with elm, but we do. It’s a wood with amazing character.”
“Ash is sourced mainly in the U.K., and again comes through Tyler Hardwoods, who are the best ash suppliers in my view. I would like to promote the use of ash because 20 years from now, there may be none left. Two major diseases are on the verge of destroying all of the ash in England.”
Croatian forests, according to Sutcliffe, offer the best oak and Benchmark will often get theirs sawn by Italy-based Florian Group. While they might source their character oak from Tyler Hardwoods, they also work with Vastern Timber. Beyond Europe, they order American walnut from Horizon which “uses a through and through techniqueto saw their logs, giving them a more European look.”
The bog or swamp creates low oxygen conditions that protect the oak from normal decay and acidic conditions where iron salts and other minerals react with the tannins in the wood, transforming its color to a distinct brown or almost black.
London-based Studioilse commissioned Benchmark to work on producing the tables for the first-class lounge for Cathay Pacific at Hong Kong’s international airport. “They wanted to inject the furniture pieces with more soul and organic forms,” Sutcliffe said. It took them half a year to find the right timber for the job. Benchmark went to Nelson Butler who supplied enough logs for them to do the tables. “It’s very large, wild European Walnut, left with all the raw edges and holes.”
Kerfing with Skrivo
“All of our projects start from a material or technology,” Stefan Krivokapic, creative director at Skrivo design studio, told ArchiExpo. “We rarely design a product and then try to think about what the best material would be.”
Gear pendant lamps by Skrivo for Miniforms.
For the series of pendant lamps called Gear—launched at Salone del Mobile in 2015 by the Italian brand Miniforms—“I wanted to find a way of bending wood without using molds. We found one called Kerfing. This requires the cutting of long parallel slats three-quarters of the way into the wood, allowing flexibility so the wood can be bent.”
“This process made it possible for us to design these large wooden pendant lamps using very little wood and without using any molds.”
The lamps are made using Valchromatengineered coloredwood. Valchromat colors individual wood fibers with organic dyes and bonds them together with a special resin to create its wood fiber panels.
The design studio keeps an open mind when selecting typologies, depending on the project at hand. Whether using solid wood, bent plywood or steam bent wood, there are distinct advantages and disadvantages, ranging from function to cost.
Courtesy of Studio Thomas Vailly
Tapping into the Interrupted
In 2015, the Netherlands Studio Thomas Vailly completed their Reconfiguration of a Tree project focused on a bio-based material. The studio decided to work with pinus pinaster, a resinous tree harvested for its pitch.
“The forest of the region Landes in France was the home of a fine wood and pine pitch-based industry and craft. Pine pitch has been used for centuries to waterproof fabric or boats, for example,” Carla Enchelmaier, project assistant at Studio Thomas Vailly told ArchiExpo.
“Still used today, the raw material now comes from non-E.U. countries and the pitch is highly processed. Due to the alternative synthetic material, the tapping of pine pitch has been interrupted in France andthis technique is now disappearing.”
Studio Thomas Vailly ripped apart the Pinus Pinaster tree and rearranged its elements into a man-made material, resulting in a black natural resin used for joining, coating and blending.
After developing the new material, Studio Thomas Vailly had four designers apply it to a product: David Derksen, Gardar Eyjolfsson, Lex Pott and an in-house designer from Studio Thomas Vailly.
People have used bamboo from the earliest civilization in Asia, where these giant grasses originated. We see them in traditional architecture in Southeast Asia: People in Indonesia use bamboo stilts to create their rice carriages, and many Filipinos in the north of the Philippines construct little houses out of bamboo...
Here’s an ensemble of amazing designs and installations we saw during this year’s Milan Design Week.
The conceptual design studio Sinestesia created a DIY stereo loudspeaker, Giacinto, from foldable recycled leather. The 4ohm- 5 W speakers produce the ‘Giacinto voice,’ and the leather skin acts as a soundboard, making for a sound of its own. The speaker’s skin comes in several different textures and four colors.
The Toadstool furniture collection by Masquespacio studio features a family of poufs, a table and a sofa bench that function as movable artistic centerpieces in any space. They adapt to the individual’s needs, allowing numerous spatial combinations. Available materials include marble, wood and golden-plated metal, plus different fabrics in varying colors.
Spanish artist and designer Jaime Hayon showcased The Palette Desk, made exclusively for &Tradition. Inspired by the kinetic sculptures of Alexander Calder, Hayon balanced various shapes and materials at different heights and created a hybrid desk framed in metal.
The design studio of Mieke Meijer presented its collection of architecture-inspired lamps made from lightweight wood Space Frames. The designers enclosed the wood with stretched polyester fabric. The series of objects can be repositioned, and they interact with the surrounding space, creating a harmonious balance in space and light.
Designer Fernando Mastrangelo unveiled his installation of sand mirrors called Drift, where we found a unique combination of materials. These ‘common’ mirrors stand out with layers of textured sand, providing an intriguingly contradictory style that is rugged and refined, durable and delicate, formal and functional—words that describe the very nature of Mastrangelo’s design philosophy.
Fun & Friendly
Italian brand Cappellini sent the brief to Japanese studio Nendo: a casual but atypical modular table. Nendo presented its response during Milan Design Week 2016. The Tangle side tables interlock with corkscrew-style legs made from steel.
Designer sisters Faye and Erica Toogood at London-based Studio Toogood united their objects, clothes and sculptures within an interior space for the first time during London Design Festival 2015. Their installation The Drawing Room at Somerset House welcomed visitors into a space where the translucent plastic sheets lining the walls were covered in charcoal-sketched furniture.
The space held more than a figment of imagination; the sisters completed the redrafting of an English drawing room with a combination of abstracted cardboard sculptures, cardboard origami stray chickensand ducks and their contemporary Roly-Poly pieces from their Assemblage 4 collection, remodeled in fiberglass.
In the center of the room: a delightful handwoven rug strung together from limewashed fragments of canvas and rope. Their recent fashion collection hung from a metal rail and personal objects filled a vintage cabinet to encourage a relaxed feel.
Courtesy of Studio Toogood.
“It’s a fictional but autobiographical room that is filled with objects, scenes, walks and places that we remember as children,” Faye explained in an interview about the exhibition.
The sisters describe their father as an anthropologist, saying they grew up listening to him memorizing distinct bird noises. In the exhibition, recordings of birds singing played throughout the space.
Telling Tales, a collection of illuminated stories, comes down to an amazing communication campaign idea launched by LZF for 2016. Together with Masquespacio Studio, they’ve created stories and brought them to life through perfectly colored images, each presenting one of their handmade wooden lights.
“Mariví Calvo created the campaign based on three ideas that would make this catalogue different from previous ones: The images were to be set at night, providing an opportunity to showcase the lamps when lit; the focus was to shift from spaces themselves to the human beings that inhabit them; and the catalogue was to move away from traditional formats and to be a work of artistic creation,” LZF explains on its website.
“Julie never gets back home before six in the morning.” First collection Julie&Nelson featuring the I-CLUB lamp by LZF. Courtesy of LZF.
Telling Tales, a collection of hundreds of photographs, six stories and several hours of filming, offers the public a fun way to view LZF’s products. They also have the chance to see the selected images and read the stories through LZF’s social media channels, Magazine No. 3 and in a special, six-volume book edition that will appear periodically throughout 2016.
The idea was to recreate the colors of film and photography from the 1950s. They chose writer and novelist Grassa Toro to give a literary sense that would turn this imaginary world into a piece people could connect to. Once Grassa Toro joined in July 2015, the first stories were ready.
Second collection Lana&John: Lana is playing the cello under LZF’s Dandelion Lamp. Courtesy of LZF.
LZF and its collaborators decided on new locations, furniture, decoration objects and period costumes; they then held auditions to select actors and models in Valencia who would play the characters.
“A team in charge of lighting, photography and digital image processing was put together and consisted of María Mira & Cualiti Photo Studio. Managed by LZF´s very own Ester Colomina and directed down to the last detail by Mariví Calvo, the wheels rolled into motion.”
The Third collection Ava&Silver will be out this month.